Cheng Style Taijiquan

Professor Cheng using brush and ink.

Image via MOCA (Museum of Chinese in America).

Introduction

Wutan’s version of Cheng’s form as adapted and considerably shortened from the Yang Long Form.

My own notes are here and are more detailed and potentially more confusing. This presentation might suit a more confident and/or experienced student.

Presented verbatim from The Path of the Complete Martial Artist (sometimes referred to as the ‘White Book’), Wutan KungFu International (WKI), They SoonTuan, pp 69-70, March 1991, £10.

Sequence

  1. Beginning

  2. Grasp The Sparrow's Tail (Ward Off Left, Ward Off Right, Pull Back, Press, Push)

  3. Single Whip

  4. Lifting Hands

  5. Elbow Stroke

  6. White Crane Spreads Wings

  7. Brush Left Knee And Push

  8. Donkey Kick

  9. Playing Guitar

  10. Brush Left Knee And Push

  11. Brush Right Knee And Push

  12. Brush Left Knee And Push

  13. Donkey Kick

  14. Playing Guitar

  15. Brush Left Knee And Push

  16. Deflect Downward, Intercept And Punch

  17. Withdraw And Push

  18. Cross Hands

  19. Embrace Tiger Back To The Mountain

  20. Grasp The Sparrow's Tail

  21. Diagonal Single Whip

  22. Punch Under Elbow

  23. Step Back To Drive Away Monkey (R. L. R.)

  24. Diagonal Flying

  25. Waving Hands In The Clouds

  26. Single Whip

  27. Golden Rooster Stands On One Leg (L. R.)

  28. Separate Kick (R. L.)

  29. Turn And Kick

  30. Brush Left Knee And Push

  31. Brush Right Knee And Push

  32. Brush Left Knee And Punch

  33. Grasp The Sparrow's Tail (Ward Off Left, Ward Off Right, Pull Back, Press, Push)

  34. Single Whip

  35. Playing The Shuttles

  36. Grasp The Sparrow's Tail (Ward Off Left, Ward Off Right, Pull Back, Press, Push)

  37. Single Whip

  38. Seven Stars Of The Dipper

  39. Sweep Lotus Kick

  40. Shooting Tiger With Bow

  41. Deflect Downward, Intercept And Punch

  42. Withdraw And Push

  43. Cross Hands

Notes

  1. As mentioned elsewhere, I have given up trying to squeeze a square peg into a round hole and no longer call this the ‘37 posture / step short form’

  2. I have always treated step four (Lifting Hands) as the first ‘Playing Guitar’ (Play Pipa), which means there would be a total of three Play Pipas, so will need to look into what the difference is, if there is one

  3. Deflect Downward, Intercept And Punch (steps 16 and 41) is often described as ‘Parry, Block and Punch’. A treat the Deflect Downward / Parry as a guarding hand, and the Intercept / Block as a low intercepting kick with the toes pointed off to the right.

  4. At #20 the ‘Grasp the Sparrow’s Tail’ following Embrace Tiger Back To The Mountain is reduced, including only Pull Back, Press and Push

  5. At #35, you may hear ‘Playing the Shuttles’ referred to as ‘Fair Lady Weaves at Shuttles’ and simplified to the mnemonic ‘Four Corners’

  6. At #7 and later, other schools often refer to ‘Brush Knee Push’ as Brush Knee Twist Step


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